Ready to revamp your resume before the upcoming audition season? Join Opera NexGen for Generation NOW: Resume Refresh as mezzo-soprano and founder of United in Opera Lindsay Kate Brown breaks down everything you need to know about brushing up your resume. Whether you want to learn more about standard etiquette or add your own style and personality to your resume, you can walk away ready to bring your best self—and resume—to your next audition.

More on Lindsay Kate Brown

Founder of United in Opera

Praised for her "...lustrous, warm and deep [sound]..." American mezzo soprano, Lindsay Kate Brown, is quickly making her mark in the world of opera. For her 2020-2021 season, Ms. Brown returned for her final season at Houston Grand Opera as a third year Studio Artist. Ms. Brown was scheduled to make her role debut as Mercédès in Bizet’s Carmen under the direction of Maestra Eun Sun Kim, cover the role of Charlotte in Massenet’s Werther, perform the roles of Knappen and Zaubermädchen in Wagner’s Parsifal under the baton of Maestro Patrick Summers as well as cover the role of Kundry, but, unfortunately all performances were cancelled due to COVID-19. The spring of 2021 was “filled with the sounds of music” in a review of Rodgers’ and Hammerstein’s The Sound of Music entitled My Favorite Things where Ms. Brown sang Sister Berthe and Chant Leader and covering Mother Abbess under Maestro Richard Bado. As part of HGO’s new Digital Season, Ms. Brown made her role debut as Gertrude in Humperdinck’s Hansel and Gretel as well as performed in a number of scenes for the annual Studio Showcase. This summer, Ms. Brown joined Santa Fe Opera as an Apprentice Artist where she performed the roles of Hippolyta in Britten’s A Midsummer Night’s Dream, conducted by Maestro Harry Bicket, Marcellina in Laurent Pelly’s new production of Mozart’s Le nozze di Figaro, and performed scenes of Amneris in Verdi’s Aida as part of the Apprentice Showcase.

To learn more about Lindsay Kate Brown, visit www.lindsaykatebrown.com.